What We’ve Become
A Reflection on Modern Detachment
As curators, we seek works that not only captivate but challenge, pieces that demand a second glance and a deeper reflection. What We’ve Become does precisely that.
This collection masterfully reimagines 200–300-year-old paintings, subtly weaving in modern elements—technology, digital screens, urban sprawl—transforming familiar classical scenes into unsettling mirrors of our present. The beauty of these works lies in their subtlety. The interventions are not jarring at first glance, yet once noticed, they are impossible to ignore. A family picnic is disturbed, by a duo racing quads. A group is enjoying an outdoor concert, yet one nobleman is looking at his phone. A once-pristine landscape is intruded upon by the distant bridge, filled with graffiti, whilst a woman takes a selfie.
This is more than artistic reinterpretation—it is a conversation between past and present. These works force us to ask: Have we truly progressed, or have we merely traded one form of connection for another? As we drift further from nature, from human touch, from the organic rhythms of life, these paintings serve as both a reminder and a warning—what once was, and what we are becoming.
Each artwork in What We’ve Become is part of a strictly limited edition of 11 museum-grade prints, individually numbered and authenticated. Once the final piece is acquired, it is gone forever—preserved, much like the classical paintings they reinterpret, as a lasting artifact of its time.
For collectors, this is more than an acquisition. It is an opportunity to own a moment of reckoning—a piece that does not merely sit on a wall but asks to be considered, again and again.